目录 - 博文视点

目录
第1篇游戏设计基础
第1章游戏设计师的角色
第2章游戏的结构
第3章使用正规元素
第4章运用戏剧元素
第5章活用动态的游戏系统
第2篇设计一款游戏
第6章概念设计
第7章原型
第8章软件原型
第9章游戏测试
第10章功能性、完成度和平衡性
第11章乐趣性和易用性
第3篇像以名游戏设计师一样工作
第12章团队结构
第13章开发阶段和方法
第14章沟通你的设计
第15章理解新的游戏产业
第16章如何带你的创意进入游戏

图书类别

第一篇 游戏设计基础· 1   
第1 章 游戏设计师的角色 3   
和玩家站在同一阵营 3   
热情和技巧6   
以玩法为核心的设计流程 12   
你应该知道的设计师 14   
迭代设计过程18   
为革新而设计 24   
总结 24   
设计师视角：CHRISTINA NORMAN25   
设计师视角：WARREN SPECTOR28   
扩展阅读 30   
章末笔记 30   
第2 章 游戏的结构 31   
《钓鱼》和《雷神之锤》 31   
让玩家投入39   
什么是谜题？40   
这部分的总结 47   
定义游戏 48   
超越定义 49   
总结 51   
设计师视角：Jane McGonigal ·52   
设计师视角：Randy Smith55   
扩展阅读 57   
章末笔记 57   
第3 章 使用正规元素58   
玩家 58   
有说服力的游戏66   
目标 69   
操作 75   
规则 77   
资源 81   
冲突 87   
边界 88   
结果 90   
总结 91   
设计师视角：Tim LeTourneau ·92   
设计师视角：Matt Korba 94   
扩展阅读 96   
章末笔记 96   
第4 章 运用戏剧元素 97   
挑战 97   
玩 102   
故事预设 105   
角色 108   
故事 112   
互动式叙事的两大误区 114   
构建世界 115   
情节发展 116   
总结 120   
设计师视角：DR. RAY MUZYKA·121   
设计师视角：DAGLOW·123   
扩展阅读 125   
章末笔记 125   
第5章 活用动态的游戏系统126   
游戏作为一个系统 126   
系统动态 130   
解构Set 131   
与系统进行互动 146   
对话WILL WRIGHT150   
调整游戏系统 155   
总结 156   
设计师视角：Alan R Moon ·157   
设计师视角：Frank Lantz ·160   
扩展阅读 162   
章末笔记 162   
第二篇 设计一款游戏· 163   
第6 章 概念设计 165   
获得灵感 165   
头脑风暴技巧 168   
其他方法 171   
实验性游戏玩法172   
修改和优化178   
EA 的预制作工坊 179   
把创意转化成游戏 184   
游戏的想法来自何处？ 186   
如何从焦点小组中得到最大收获· 189   
结论 191   
设计师视角：陈星汉193   
设计师视角：Josh Holmes 196   
扩展阅读 198   
章末笔记 198   
第7 章 原型 199   
制作原型的方法 199   
第一人称射击游戏原型设计 205   
“失败”的原型设计过程与其他故事·207   
万智牌的设计进化·216   
使你的实物原型更好 233   
超越实物原型 233   
总结 234   
设计师视角：JAMES ERNEST ·235   
设计师视角：KATIE SALEN 238   
扩展阅读 240   
第8 章 软件原型 241   
软件原型的种类 241   
游戏设计中软件原型的使用·248   
游戏感觉的原型252   
制作《云》的原型·256   
有效的界面设计 264   
制作原型的工具 266   
总结 270   
设计师视角：David Perry ·271   
设计师视角：Elan Lee274   
扩展阅读 276   
章末笔记 277   
第9 章 游戏测试 278   
游戏测试和迭代设计 279   
招募游戏测试者 279   
进行游戏测试 282   
“典型玩家”的反馈如何帮助你避免错误？· 283   
一个用户测试的例子：《帝国时代2：国王时代》285   
游戏测试的方法 289   
游戏测试入门：别死抱着这些规则！290   
我们为什么玩游戏·297   
记笔记 301   
基础可用性技术 303   
数据收集 304   
游戏设计中的度量·305   
游戏测试练习（实践） 310   
结论 311   
扩展阅读 312   
章末笔记 312   
第10 章 功能性、完成度和平衡性 313   
你要测试的是什么？ 313   
你的游戏具备功能性吗？ 315   
你的游戏内部完备了吗？ 316   
你的游戏平衡吗？ 323   
和Rob Pardo的交谈337   
模块化思维345   
结论 346   
设计师视角：Brian Hersch347   
设计师视角：Heather Kelley ·350   
扩展阅读 352   
章末笔记 352   
第11 章 乐趣性和易用性353   
你的游戏是否乐趣十足？ 353   
改进玩家的选择 361   
调整和平衡：人类对抗机器人375   
乐趣杀手 381   
超越乐趣 386   
你的游戏是否易用？ 387   
将声音作为一种游戏反馈设备388   
结论 392   
设计师视角：Robin Hunicke ·393   
设计师视角：Lorne Lanning ·397   
扩展阅读 399

第三篇 像一名游戏设计师一样工作
··········································································401  
第 12 章
团队结构·································································································403  
团队结构··············································································································403  
开发团队··············································································································405  
申请游戏设计师职位
·····························································································407  
发行商团队···········································································································416  
团队档案··············································································································419  
齐心为设计···········································································································421  
团队建设··············································································································421  
团队沟通··············································································································422  
结论····················································································································423  
设计师视角：NAHIL SHARKASI
···············································································424  
设计师视角：MATT FIROR
·····················································································426  
扩展阅读··············································································································428  
章末笔记·············································································································428  
第 13 章 开发阶段和方法
······················································································429  
定义阶段··············································································································429  
从课堂到游戏主机：制作 PS3 游戏《流》 （FlOw）
··················································434  
敏捷开发··············································································································436  
独立游戏制作人的机遇
··························································································441  
结论····················································································································444  
设计师视角：Michael John
·····················································································445  
设计师视角：Jeff Watson
·······················································································448  
扩展阅读··············································································································450  
章末笔记··············································································································450  
第 14 章 沟通你的设计
·························································································451  
可视化·················································································································451  
流程图·················································································································453  
表格····················································································································455  
概念图·················································································································455  
游戏描述··············································································································456  
虚拟现实和 Oculus Rift
··························································································457  
设计文档的格式·····································································································460  
内容····················································································································460  
设计宏·················································································································465  
结论····················································································································466  
设计师视角：Anna Anthropy
···················································································467  
设计师视角：ROB DAVIAU
·····················································································469  
扩展阅读··············································································································470  
章末笔记··············································································································471  
第 15 章 理解新的游戏产业
···················································································472  
游戏业的规模········································································································472  
分发平台··············································································································473  
游戏类型··············································································································474  
移动游戏设计和 Zombies ,Run!
··············································································476  
发行商·················································································································481  
开发商·················································································································482  
游戏发行业务········································································································483  
结论····················································································································486  
设计师视角：KEITA TAKAHASI 高桥庆太
···································································487  
设计师视角：GRAEME BYALESS
·············································································489  
扩展阅读··············································································································491  
章末笔记··············································································································492  
第 16 章 如何带你的创意进入游戏
··········································································493  
在发行公司或开发公司找一份工作
···········································································493  
提案你的创意········································································································497  
独立开发··············································································································500  
结论····················································································································500  
设计师视角：Erin Reynolds
····················································································501  
设计师视角：Asher Vollmer
····················································································504  
扩展阅读··············································································································505  
结语····················································································································506

[全部收起](<javascript:>)

图书分类

B站运营大揭秘：百万Up主真想教会你的创作笔记

特色专题

帮助

目录

目录

图书类别